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If it appears curious, fanciful or elaborate, it is only because of our habit of making starting comparisons. The Hawa Mahal has even been compared to a fantastic nuptial cake. Still it has an undeniable charm.
Sir Edwin Arnold like so many other admirers of Hawa Mahal paid a glowing tribute to its merits as a “vision of daring and dainty loveliness, of storeys of rosy masonry and delicate overhanging balconies and latticed windows. Soaring with tier after tier of fanciful architecture in a pyramidal form, a very mountain of airy and audacious beauty through the thousand pierced screen and gilded arches of which the Indian air blows cool over the roofs of the very highest house. Alladin’s magician could have called into existence no more marvelous abode.” A sumptuous of splendid architecture.
The beauty of the Hawa Mahal lies in its fragile appearance, which, like a vision, threatens of vanish into thin air. It is, of all buildings in Jaipur, the most romantic and delicate – which cannot be said of some better-known examples of solid architecture.
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